2020 桃園科技藝術節
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葉廷皓 Yeh Ting-hao

葉廷皓 Yeh Ting-hao

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​國立臺北藝術大學科技藝術研究所藝術碩士畢業,長期關注國內外音像藝術領域,作品多聚焦在聲音與影像之間的關聯,融合預製與即時發生的聲音與影像,並以錯誤美學為出發,企圖尋找屬於新媒體時代的諧擬與辯證。除了個人作品之外,也參與舞蹈與劇場製作,例如一當代舞團、Naxs Corp.。2013起與姚仲涵組成Audio-Visual團體HH。
 
Yeh Ting-Hao received his master’s degree in Fine Arts from Taipei National University of the Arts’ Centre of Arts and Technology. He has followed the audio-visual art scene in the field. His works are based on aesthetics of failure and mostly focus on the connection between sound and image, blending prefabricated and instantaneous sounds and images. With his works, he attempts to create a parody and debate that belong to the era of new media. He also participated in dance and theater productions, collaborating with groups such as YiLab and Naxs Corp. He established an Audio-Visual group HH with Yao Chung-Han in 2013.

共鳴幻象 Imagery Resonance

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「接收、擴大和調變所有物體振動之頻率,我們明日將能夠聆聽鑽石與鮮花的呢喃──如同我們今日所傾聽的海與森林之歌。」《未來主義廣播宣言》(馬里內帝與馬斯納達1933)
雖然無法直接以人耳收聽鑽石與鮮花的聲音,但透過科技輔具與演算法,將實體物件透過建模或立體掃描成形,再將此數位幾何資料以演算法播放,使得聲音與影像的來源合一,在調變其中任一元素的同時,也牽連著所有。以逆向示波器將3D物件的幾何座標資料強制轉換成聲音波型,在被影音包覆的同時,看見你所聽到的,以可以耳聞你所瀏覽的。
 
"The reception amplification and transfigurahon of vibrations emitted by matter. Just as today we listen to the song of the forest and the sea so tomorrow shall we be seduced by the vibrations of a diamond or a flower." 
  • La radia. Futurist Manifesto of October, 1933 (Filippo Tommaso Marinetti and Pino Masnada, 1933)
 
Although it is not possible to hear the sound to diamonds and flowers, it is possible to do so with technical aids and algorithms. By applying modeling or 3D scanning technique, physical objects become digital data that algorithms can play out, thus making the image and sound share the same source. When one element is converted, everything changes. With a reverse oscilloscope, the geometrical coordinate data of the 3D object are transformed into sound waveforms. The vibrations through media are thus heard and seen as they surround viewers.
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  • 科技藝術節
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