王新仁 Wang Hsin-jen

王新仁為臺灣音像藝術創作先鋒，作品屢獲國內外肯定，為 2012 年及2015年台北數位藝術節首獎得主。擅長幾何圖像造型對應電子碎拍音樂，輔以對土地人文溫度的關懷和重視，以迷幻、賽博龐克風格嶄露頭角。
近年作品強烈關注社會議題，從學運運動到領土疆域爭議，寫入演算法重塑歷史過往，利用點雲顛覆既有認知，不論是在藝術或是議題上，都具有強烈的個人觀點與美學風格，帶給觀眾衝擊式的視覺饗宴。
 
Wang Hsin-Jen is Taiwan’s frontier audiovisual artist. His works have received multiple recognition at home and abroad and have won the first prize in the Digital Art Festival Taipei in 2012 and 2015. He is an expert at creating geometric images that match up with breakbeat electro music, infusing his works with the care and concern for people and the land. He emerges as a new star with his fantastic and cyberpunk style.
In recent years, his works have been predominately focused on social issues, from student movements to territorial disputes. He reshapes the past in algorithms and uses point clouds to subvert our current understanding of the world. Whether in art or issues, he possesses strong personal views and aesthetics, bringing the audience visual feasts with great impact.

昨日的路徑 PATHS TO THE PAST

《昨日的路徑》VR版有別於雙頻道版的電腦排程自動演算，
​此版本讓觀者能介入作品的流動和衍生狀態。觀者能自由的選擇視野、角度切入作品，過程中身體的移動，將被一一紀錄轉化成觸發的媒介，作品因觀者而不同，每次的觀看經驗無法被複製。如同「觀測者效應」，當進行測量（或觀察）時，將呈現了另一種無法預期的真實，也反應出作者與家時刻改變的關係。
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The VR version of PATHS TO THE PAST is different from the dual-channel version with an automatic scheduling algorithm. This version allows viewers to intervene in the work's fluid and derivative state, choosing the viewing perspective freely. Every viewer's body movement is to be recorded and transformed into triggering media; thus, the viewing experiences will be distinctive, and no one is duplicable. As with the "observer effect," when measured (or observed), the work takes on an unpredictable reality, reflecting the ever-changing relationship between the artist and his home.