林芷安
臺灣
臺灣
來自台灣台北，目前就讀於國立台灣藝術大學研究所。擅長運用視覺性語言，多元媒材進行創作，包含雕塑、錄像裝置、雕塑空間等。深度探索與自身經驗有關的存在議題。從自我探索的思維，作為創作的出發點，並藉由角色的互換，語言與非語言上的表達，表述於作品中並重新審視自己和環境的關係。與觀者間相互交流，循序漸進了解自己的本質。在語言與非語言溝通過程中，透過互動性裝置，圍繞著視覺與聽覺的空間，進行一埸心與心的對話。
Based in Taipei, Taiwan, Lin Chih-An is currently a graduate student at National Taiwan University of Arts. She specializes in using visual language and diverse media to create a wide range of works, including sculpture, video installation, sculptural space, etc., which explore existential issues related to her personal experience in an in-depth way. Using self-exploratory thinking as a starting point of her work, Lin makes use of interchanging roles and verbal and non-verbal expression to portray and re-examine her relations with the environment and interact with viewers, helping them to gradually understand their own nature. In the process of verbal and non-verbal communication, the interactive device enables the viewers to conduct an inner dialogue in a space informed by the sense of sight and hearing.
Based in Taipei, Taiwan, Lin Chih-An is currently a graduate student at National Taiwan University of Arts. She specializes in using visual language and diverse media to create a wide range of works, including sculpture, video installation, sculptural space, etc., which explore existential issues related to her personal experience in an in-depth way. Using self-exploratory thinking as a starting point of her work, Lin makes use of interchanging roles and verbal and non-verbal expression to portray and re-examine her relations with the environment and interact with viewers, helping them to gradually understand their own nature. In the process of verbal and non-verbal communication, the interactive device enables the viewers to conduct an inner dialogue in a space informed by the sense of sight and hearing.
俯仰之語
透過切身的體驗，以視覺取代聽覺的傳遞方式，讓視覺感官在自身敏感度上成為一種較優勢的理解能力，讓人們了解移覺應用的特殊性。並將聽覺轉移到視覺，藉由視覺感官強化對聽覺的感知，感受當下正在發生的情緒與聲音是為何物。作者以非語言的傳播方式，例如手勢、表情、聲光等，以互動式裝置效果，來呈現出「環繞著視覺與聽覺」的空間場域裝置，與觀者來一場心與心最近的距離。無聲對有聲的追逐遊戲，進而走入彼此的想象與感官世界。
Through personal experience and replacing the sense of hearing with the sense of sight as the communicative agent, this work allows vision to be more advantageous in gaining understanding based on one’s sensitivity and enables people to understand the uniqueness of synesthesia. By transferring hearing to seeing and reinforcing the auditory perception through the visual sense, it allows people to perceive the emotion incurred in the moment and grasp the shape of sound. The artist employs non-verbal communication, such as gesture, facial expression, sound and light, using interactive effects to construct a spatial installation “surrounded by the senses of sight and hearing” while instantly shortening the distance between their inner worlds. A playful chase between the soundless and the sound-making, they are now entering each other’s imagination and sensory world.
透過切身的體驗，以視覺取代聽覺的傳遞方式，讓視覺感官在自身敏感度上成為一種較優勢的理解能力，讓人們了解移覺應用的特殊性。並將聽覺轉移到視覺，藉由視覺感官強化對聽覺的感知，感受當下正在發生的情緒與聲音是為何物。作者以非語言的傳播方式，例如手勢、表情、聲光等，以互動式裝置效果，來呈現出「環繞著視覺與聽覺」的空間場域裝置，與觀者來一場心與心最近的距離。無聲對有聲的追逐遊戲，進而走入彼此的想象與感官世界。
Through personal experience and replacing the sense of hearing with the sense of sight as the communicative agent, this work allows vision to be more advantageous in gaining understanding based on one’s sensitivity and enables people to understand the uniqueness of synesthesia. By transferring hearing to seeing and reinforcing the auditory perception through the visual sense, it allows people to perceive the emotion incurred in the moment and grasp the shape of sound. The artist employs non-verbal communication, such as gesture, facial expression, sound and light, using interactive effects to construct a spatial installation “surrounded by the senses of sight and hearing” while instantly shortening the distance between their inner worlds. A playful chase between the soundless and the sound-making, they are now entering each other’s imagination and sensory world.