江俊毅 X 黃國斌 X 詹家華
台灣
台灣
江俊毅
西元一九九二年出生於臺灣屏東市，目前就讀於國立臺灣藝術大學多媒體動畫藝術學系新媒體藝術碩士班。分別曾在五年制專科學校與四年制大學時期學習過電子工程和三維動畫與特效製作，並擅長製作與整合裝置互動與視覺投影，一方面融入結合實驗形式的展演。現階段研究導向延展實境（XR, Extended Reality）結合感官中的嗅覺系統，並在兩者之間的訊號傳遞產生的碰撞進而轉化為感受。
黃國斌
西元一九九四年出生於澳門，目前就讀於國立臺北科技大學互動設計學系碩士班，大學曾修讀資訊工程系，擅長研究不同的科技互動模式，其中包括混合實境、音像及機械裝置等。作品主要以新媒體、音樂及實驗聲響創作出發，常以音像(Audio-Visual)表演方式進行現場演出，並透過新媒體探索科技與人的關係，在不同的思維角度下摸索人文藝術的感官知覺及導向形態。
詹嘉華
西元一九八七年生於臺灣新竹，畢業於臺灣藝術大學多媒體動畫藝術研究所，擅長跨域整合視覺藝術與表演藝術，作品多探討人與人、人與科技、人與媒體等關係。曾於2018年台北當代藝術館MOCA studio舉辦個展「Y世代:人造知覺」，並曾獲「第七屆法國安亙湖國際數位藝術節-視覺藝術類」首獎與「國立臺灣藝術大學60週年」傑出校友楷模的殊榮，參展經驗豐富，於美國克里夫蘭、德國奧登堡艾蒂羅絲媒體藝術中心與國立臺灣藝術大學文創園區等地駐村。
Chiang Chun-Yi
Born in Pingtung, Taiwan in 1992, Chiang Chun-Yi is currently studying in the Master Program of new Media Art at the Department of Multimedia and Animation Arts, National Taiwan University of Arts. Having a five-year junior college training and a college training in electronic engineering, three-dimensional animation and special effects, Chiang excels at producing and integrating installation interaction and visual projection while incorporating these technologies into experimental performance. At the moment, his research is about Extended Reality (XR), which combines the olfactory system and converting collisions between signals into sensory perception.
Wong Kuok-Pan
Currently a graduate student at the Department of Interaction Design, National Taipei University of Technology, Wong Kuok Pan was born in Macao in 1994. He studied Information Engineer in college and specializes in various technological interaction modes, including mixed reality, audiovisual and mechanical installation. His works usually start as new media, music and experimental sound creations, taking the form of audio-visual live performance and exploring the relationship between people and technology through new media while allowing him to reflect on sensory perception in humanistic arts and its forms from various perspectives.
Zhan Jia-Hua
Born in Hsinchu, Taiwan in 1987, Zhan Jia-Hua graduated from the Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts (NTUA). She specializes in integrating visual art and performing arts, and her work often explores the relationships between different individuals, people and technology as well as people and media. She has been awarded the First Prize of the Visual Art category in Bains Numériques #7 and the Outstanding Alumni in the 60th Anniversary of the NTUA. Zhan’s works have been exhibited extensively, and she has also conducted artist residencies in Cleveland, USA; Edith-Russ-Haus für Medienkunst, Oldenburg, Germany; and the Cultural Creative Industry Park of the NTUA.
西元一九九二年出生於臺灣屏東市，目前就讀於國立臺灣藝術大學多媒體動畫藝術學系新媒體藝術碩士班。分別曾在五年制專科學校與四年制大學時期學習過電子工程和三維動畫與特效製作，並擅長製作與整合裝置互動與視覺投影，一方面融入結合實驗形式的展演。現階段研究導向延展實境（XR, Extended Reality）結合感官中的嗅覺系統，並在兩者之間的訊號傳遞產生的碰撞進而轉化為感受。
黃國斌
西元一九九四年出生於澳門，目前就讀於國立臺北科技大學互動設計學系碩士班，大學曾修讀資訊工程系，擅長研究不同的科技互動模式，其中包括混合實境、音像及機械裝置等。作品主要以新媒體、音樂及實驗聲響創作出發，常以音像(Audio-Visual)表演方式進行現場演出，並透過新媒體探索科技與人的關係，在不同的思維角度下摸索人文藝術的感官知覺及導向形態。
詹嘉華
西元一九八七年生於臺灣新竹，畢業於臺灣藝術大學多媒體動畫藝術研究所，擅長跨域整合視覺藝術與表演藝術，作品多探討人與人、人與科技、人與媒體等關係。曾於2018年台北當代藝術館MOCA studio舉辦個展「Y世代:人造知覺」，並曾獲「第七屆法國安亙湖國際數位藝術節-視覺藝術類」首獎與「國立臺灣藝術大學60週年」傑出校友楷模的殊榮，參展經驗豐富，於美國克里夫蘭、德國奧登堡艾蒂羅絲媒體藝術中心與國立臺灣藝術大學文創園區等地駐村。
Chiang Chun-Yi
Born in Pingtung, Taiwan in 1992, Chiang Chun-Yi is currently studying in the Master Program of new Media Art at the Department of Multimedia and Animation Arts, National Taiwan University of Arts. Having a five-year junior college training and a college training in electronic engineering, three-dimensional animation and special effects, Chiang excels at producing and integrating installation interaction and visual projection while incorporating these technologies into experimental performance. At the moment, his research is about Extended Reality (XR), which combines the olfactory system and converting collisions between signals into sensory perception.
Wong Kuok-Pan
Currently a graduate student at the Department of Interaction Design, National Taipei University of Technology, Wong Kuok Pan was born in Macao in 1994. He studied Information Engineer in college and specializes in various technological interaction modes, including mixed reality, audiovisual and mechanical installation. His works usually start as new media, music and experimental sound creations, taking the form of audio-visual live performance and exploring the relationship between people and technology through new media while allowing him to reflect on sensory perception in humanistic arts and its forms from various perspectives.
Zhan Jia-Hua
Born in Hsinchu, Taiwan in 1987, Zhan Jia-Hua graduated from the Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts (NTUA). She specializes in integrating visual art and performing arts, and her work often explores the relationships between different individuals, people and technology as well as people and media. She has been awarded the First Prize of the Visual Art category in Bains Numériques #7 and the Outstanding Alumni in the 60th Anniversary of the NTUA. Zhan’s works have been exhibited extensively, and she has also conducted artist residencies in Cleveland, USA; Edith-Russ-Haus für Medienkunst, Oldenburg, Germany; and the Cultural Creative Industry Park of the NTUA.
U+617E.∞
「如果你從無限中移走或添加一部分，剩下的還是無限。」
U+617E 為「慾」的Unicode國際碼，機械手臂將扮演成勞工(表演者)的身份，從傳統的勞動形式進入到科技勞動的工業革命，打開無限大(∞)的慾望檔案，表述人類的物質慾望快速膨脹，營造出現實與虛擬世界的空間，被置入在理想的烏托邦中。
作品將探討勞動下的犧牲者，究竟是勞動者亦或是機械，甚至是整個環境？而在不自覺的狀況下被經濟社會所捆綁住，墜入於「慾望迴圈」中不斷盤旋，藉此檢視高度資本化、消費主義竄行的當代社會現象，以勞動生產與科技帶來的便利性，來討論慾念的建構，試圖從勞動的本質當中瞭解購物慾的誕生，反思生產機制所造成的社會問題以及資源分配結構。
註：Unicode國際碼，是世界上大部分的文字系統進行了整理、編碼，使得電腦來呈現和處理文字。
“If a part of the infinity is removed or added, the rest is still infinity.”
U+617E is Unicode for “desire.” The robotic arm plays the role of a laborer (performer), launching the traditional labor form into a new industrial revolution characterized by technological labor and initiating the infinite (∞) files of desire. It speaks the exponentially expanding material desire of mankind, creating a space of the real and virtual worlds contextualized in the idealized utopia.
This work discusses those that are sacrificed in labor: is it the laborer, the machine or the entire environment? Unknowingly, we have become bound by the economic society and fallen into the spiraling “loop of desire.” Through this work, we examine the highly capitalistic, consumerist phenomena in the contemporary society, and analyze the construction of desire enabled by the convenience based on labor production and technology. By looking into the nature of labor, we try to understand the desire of shopping and its birth while reflecting on the social issues created by the production mechanism as well as the structure of resource distribution.
Note: Unicode is used to organize and encode most of the script systems in the world, which allows computers to present and process these scripts.
「如果你從無限中移走或添加一部分，剩下的還是無限。」
U+617E 為「慾」的Unicode國際碼，機械手臂將扮演成勞工(表演者)的身份，從傳統的勞動形式進入到科技勞動的工業革命，打開無限大(∞)的慾望檔案，表述人類的物質慾望快速膨脹，營造出現實與虛擬世界的空間，被置入在理想的烏托邦中。
作品將探討勞動下的犧牲者，究竟是勞動者亦或是機械，甚至是整個環境？而在不自覺的狀況下被經濟社會所捆綁住，墜入於「慾望迴圈」中不斷盤旋，藉此檢視高度資本化、消費主義竄行的當代社會現象，以勞動生產與科技帶來的便利性，來討論慾念的建構，試圖從勞動的本質當中瞭解購物慾的誕生，反思生產機制所造成的社會問題以及資源分配結構。
註：Unicode國際碼，是世界上大部分的文字系統進行了整理、編碼，使得電腦來呈現和處理文字。
“If a part of the infinity is removed or added, the rest is still infinity.”
U+617E is Unicode for “desire.” The robotic arm plays the role of a laborer (performer), launching the traditional labor form into a new industrial revolution characterized by technological labor and initiating the infinite (∞) files of desire. It speaks the exponentially expanding material desire of mankind, creating a space of the real and virtual worlds contextualized in the idealized utopia.
This work discusses those that are sacrificed in labor: is it the laborer, the machine or the entire environment? Unknowingly, we have become bound by the economic society and fallen into the spiraling “loop of desire.” Through this work, we examine the highly capitalistic, consumerist phenomena in the contemporary society, and analyze the construction of desire enabled by the convenience based on labor production and technology. By looking into the nature of labor, we try to understand the desire of shopping and its birth while reflecting on the social issues created by the production mechanism as well as the structure of resource distribution.
Note: Unicode is used to organize and encode most of the script systems in the world, which allows computers to present and process these scripts.