討論我們生存於此虛實切換中，游移與沈浸的身體感知經驗，帶領觀者漫遊於影像與聲音所塑造的城市山水景觀，在虛實之間探索，也是數位生活的現實再現
當下與過往交融的共時性2018
The Blended Synchronicity between Current and Past 2018​
「共時性」原是現實經驗透過潛意識與當下事件的觸發，而反饋出的心理關連。 此一單向與即時兩種不同敘事的認知，組合於相同時空裡，令觀者在時序與互動圖像組合的經驗秩序下，更自由解讀其認知歷程。透過不斷探索即時更新的「圖像隱喻」，探索與融合出翻新的敘事文本。
 
這次展出內容結合了兩個現實場景的影片。將利用即時的手勢操作（Leap Motion），進行實現此三種場景中當下的介入，並與影片中的既定時空融合，而產生特殊的共時敘事現象。
 
 
“Synchronicity” proposed by Carl Jung describes psychological associations that are responses to realistic experiences triggered by the subconscious and the event in the given moment. Cognitions for the two different narratives – one-directional and instantaneous – are arranged in the same space-time. With the physical space-time relation reconstructed, viewers are given more freedom to interpret their own cognitive processes under the experience orders assembled with time sequences and interactive images, and through continual exploration of the instantaneously updated “pictorial metaphors,” the narrative text is explored, blended, and updated.
 
Two works from this series are featured in this exhibition, with videos based on two realistic settings that include a vacant space next to a house and an area in a zoo. Interventions are engaged in the settings with the use of real-time recognition through a leap motion controller, and by blending with the existing space-times in the videos, unique synchronic narratives are produced.
囈語2015
Somniloquy 2015
囈語2015是囈語系列和影子研究方向的作品。影子屬於二維世界,觸摸不到但無比真實,我一直想運用影子的運動型態來創作。在這個作品裡, 我在上下做呼吸運動的鐵盒子裡放置了不同顏色的LED燈, 形成一組矩陣。燈光的運動以及相互影響形成整體的光線效果，模擬昆蟲族群之間的動態影響。
 
Somniloquy 2015 originates from the Somniloquy series and is a new work in shadow study. Shadow belongs to a two-dimensional world. It is untouchable but our feelings for shadows are no less real. I always wanted to use the dynamics of shadows as an expression of art. In this work, I put LED lights into breathing iron boxes to constitute a color matrix. The movement of the light and the overall lighting effect forms a simulation of the ecological dynamic of the insect community.
游離者
SHIFT
本作品《游離者》透過光軌掃描概念，將街道裡移動人物封存，緩緩檢視街道中的流動映像，並刻意凝結秩序外的游離狀態。以社會意識而聚焦個體，濃縮地理圖景，提出對於「SHIFT/游離者」之現實處境，猶如魯西迪（Salman Rushdie）在《想像的故土》（Imaginary Homelands）所說，失去自己的身分地位、近乎一種飄盪的行為，既是飄泊，也是陌生接觸，這一切反映著當代社會中的游離者經驗。
 
Shift visualizes the concept of scanning light trail to seal the moving figures and objects in streets, slowly examining the flowing image in the city and intentionally capturing the shifting state unconfined by order. Focusing on individuals through the lens of social consciousness while condensing geographic images, the work provides a glimpse into the reality of those in the shifting state. As Salman Rushdie has stated in Imaginary Homelands, it is the loss of identity and status, a drifting behavior as well as a strange contact, which reflects the shifting experience in contemporary society.
墨流 － 山
Ink Flow - Mountain
《墨流》以禪入境，黑與白的純粹，明與暗的轉變， 探求水墨最深層次的墨化境象。如笪重光所述 －「虛實相生，無畫處皆成妙境」，作品以潛藏的黑蘊釀無窮的白；墨化之始末乃實踐禪宗「不即不離」的理念。
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Ink Flow incorporates the philosophy of Zen, and uses the purity of black and white and the shift between brightness and darkness to explore the profoundest level of ink realms. As Chong-Kung Da stated, “the virtual and the real are mutually generating, and even the blankness is turned into a superb realm,” this work employs concealing darkness to foil the infinite whiteness. The inking process manifests the Zen concept of “being neither too distant nor too familiar.”
網絡植物群/ 聲音根莖
Cyber Flora: Rhizome of Sounds
網絡、聲音技術與自然界是影響我創作的三位一體。網絡植物群/ 聲音根莖（Cyber Flora：Rhizome of Sounds）架構出聲音串連燈光裝置的空間意象，透過根莖圖式探討網絡城市的解疆域概念，儘管聲音元素無法被視覺辨識，但卻以微妙且具體的方式存在於生活周遭。此作品布局成網絡植物群的建築景觀，讓觀者置身其中，透過聲音根莖的引導形構城市中的多元性原則，試圖讓觀者體驗人工自然、精神現實、想像圖像與未知世界的存在關係。

Network, sound tech and nature are the trinity that influences my creation., Cyber Flora: Rhizome of Sounds constructs a spatial image of sound-connected lighting devices, which discusses the concept of the network domain through the rhizome pattern. Although sound elements cannot be visually recognized, they exist in life in a subtle and specific way. The installation is laid out as an architectural landscape built with the network flora, in which viewers can explore freely. Through the guidance of the sound roots that shape the pluralism in a city, the work leads viewers to experience the existence of and relationship among artificial nature, spiritual reality, imaginary images and an unknown world.